Camille tracks Vivienne down, forces a companion contract, and watches hatred give way as shared routines return.
A reserved university literature professor carries three years of guilt over the student she had to abandon when the powerful Sterling clan threatened her. That student survived the stabbing and returns as the school's ruthless chair with a companion contract and a debt she means to settle. Thirty-one episodes trace recognition, denial, shared breakfasts under one roof, and the slow shift from hatred to lingering feeling.
Ninety Days of You is available on YourChannel through its official player.
Source: YourChannel official drama page & player — editorial coverage based on the opening arc; series details verified 27 Oct 2026.
Vivienne speaks first over a bar scene three years in the making: the professor has been drinking to push down dreams of the student she saw collapse in blood. When a voice interrupts the harassment at the bar, the person who steps in delivers the recognition line — they have been looking for her for three years, calling her Professor Laurent.
Back on school grounds, Vivienne denies any connection and insists the other party has mistaken her for someone else. Camille keeps the pressure on: changed hair and a buttoned-up blouse cannot hide the habit she recognizes when Vivienne lowers her eyes while speaking, and the earring serves as physical proof. Camille frames the abandonment three years ago as a debt she intends to see addressed, one inch at a time.
The companion contract pushes the two into the same living space, and the breakfast episode shows the small routines resuming — a kitchen Vivienne once did not know her way around, a dining table with a city view, reminders that survive three years apart. The opening arc keeps the focus on recognition, refusal, and forced closeness, while the old Sterling-family conspiracy stays as the shadow behind every exchange.
Vivienne keeps her composure in lecture rooms and hallways while the attack three years ago keeps surfacing. When the past walks onto campus, she first denies the recognition and then faces the arrangement that forces the two of them under the same roof.
Camille survived the stabbing years ago and comes back wearing institutional authority, searching for the professor who vanished when the threat appeared. The companion contract sets the terms of her return, and her opening position is that the old abandonment has to be answered for.
"I've been looking for you for three years, Professor Laurent." — Camille, episode 1
Four editorial picks from episodes 1, 3 and 5 — the recognition at the bar, the denial on campus, the old debt, and the shared breakfast under the contract. Opening arc only.
Vivienne drinks to keep the old dream down; the harassment scene ends when her rescuer speaks the line that changes the night — three years of searching end on her name as Professor Laurent.
Vivienne claims they are strangers. Camille answers that changed hair and formal clothes cannot erase the habit of looking away while speaking, and uses the earring as proof.
Camille frames the abandonment three years ago as a debt she means to settle step by step; Vivienne's answer is that she owes nothing, and the standoff defines the contract.
The contract breakfast scene shows two people who once barely shared a sentence now sharing a table; the city window behind them marks the new forced closeness.
Frames from the opening arc — swipe to browse.
Our editors' notes on the opening arc — personal picks, not audience feedback.
"The bar scene does two jobs at once: it establishes the three-year wound through the opening narration, then lets the recognition line land before the audience meets the contract. The contrast between the bar light and the campus hallway afterward does the emotional work."
"The contract arc lives in small details — the chin held in the confrontation, the glasses still on at breakfast. The show trusts those habits to carry the history instead of explaining every flashback, which keeps the opening arc lean."
Best for viewers who like slow-burn enemies-to-lovers campus stories with a revenge-contract engine; if you want immediate plot resolution, the opening episodes lean on recognition and refusal before feelings move. Compared with most contracted-romance shorts, this one ties every beat to a specific old habit or object — the eye movement, the earring, the kitchen routine — that attention to small evidence is both its strength and its limit.